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2016”N
1ŒŽ, 2ŒŽ, 3ŒŽ, 4ŒŽ, 5ŒŽ, 6ŒŽ, 7ŒŽ, 8ŒŽ, 9ŒŽ, 10ŒŽ, 11ŒŽ, 12ŒŽ


1ŒŽ
1. 10(“ú) Ž¨‚̏‰‰×
”‹´•¶•v (p), ã–ã’‰ë‘ã (sax), ƒŒƒIƒi (tapdance)
1. 11(ŒŽEj) ‹¾ŠJ‚«‚Ì“ú
Î‹´‰pŽq (vo, p), ŽR–{’B‹v (ds)
1.17(“ú) ãŒ·‚ÌŒŽ‚Ì”{‰¹
ŒFâƒ‹ƒcŽq (acco), “c•Ó˜aO (b), “c“ˆáÁ²—Y (b)
1.24(“ú) –žŒŽ‚Í‹¶‚킹‚Ü‚·
¬ì‹I”ü‘ã (bandoneon)
1. 30(“y) ”ꊦ÷
—é–؍LŽu (sax), “Œ—Á‘¾ (sax), ã‰^“V~Žs (sax)
1.31(“ú) ƒ_ƒEƒ‰ƒ“ƒh¶’a453”N‚Ì—z‚̏o
‚–{ˆê˜Y (luth), ‘¾“cœ¨Ž‘ (vln)


2ŒŽ
2.7(“ú) ˜a•zŠ @‚í‚©‚ß‚ª‚è
‘¾“cœ¨Ž‘ (vln, voice), ¡–xP—Y (g), “V“c“§ (bass-f, etc)
2.14(“ú) V•ˆw‚Æ‚è‚Ì‚¤‚½x
Žl‰Æ‰K‘å (cello) solo
2.20(“y) ‰J…‰·‚Þ
ŽRèˆ¢–í (º, ‰Ì), â–{O“¹ (cello, music saw)
2.21(“ú) wƒgƒƒgƒƒgx
ŽÄ“c“Þ•ä (vln), ŒFâƒ‹ƒcŽq (acco)
2.27(“y) ”ž“¥‚͂ЂƂè‚Å
Xd–õ@ (cello) solo
2.28(“ú) Ž„‚̓fƒ‰ƒVƒl
ƒJƒ‹ƒƒ“Eƒ}ƒL (vo, ˜N“Ç), ‘¾“cœ¨Ž‘ (vln), ´…ˆê“o (p, etc)


3ŒŽ
3.6(“ú) 孒ŽŒ[ŒË@‚¿‚Á‚¿‚イ‚±‚ð‚Ђ炭
Ž›“c’¬ (vo, g), ŒFâƒ‹ƒcŽq (acco)
3.12(“y) ‚¨…Žæ‚è
’|àV‰xŽq (âµ, ŽO–¡ü, ‰S), Œü“‡‚ä‚èŽq (vln)
3.13(“ú) ƒoƒ‹ƒJƒ“‚Ì‹ó
•{”n˜a‰ÌŽq (vo), ‚–؏ˆê (g)
3.20(“ú) ”ÞŠÝ‚Ì’†“ú
–I’J^‹I (voice, vo), “Œ•ÛŒõ (b)
3.26(“y) ‰¹Šy‚Ì•—“y‹L
HISASHI (vo), VàVŒ’ˆê˜Y (p)
3.27(“ú) ƒWƒƒƒY‚ÌŒ©°‚é‚©‚·ÎŽž‹L
œA–ØŒõˆê (g), Î“c‰q (p)


4ŒŽ
4.3(“ú) ‰K”g‚‚µ
ŽÄ“c“Þ•ä (vln), “c•Ó˜aO (b), ¼‘º’¼Ž÷ (b)
4.10(“ú) wƒT[ƒhEƒp[ƒ\ƒ“x{1
”~’ØaŽž (sax, cl), Samm Bennett (perc), Ö“¡ƒlƒR (vln)
4.13(…) wƒnƒEƒXEƒIƒuEƒƒXƒvƒXx‚̉e
ç–ìGˆê (p), Œü“‡‚ä‚èŽq (vln), £”ö‚Žu (b)
4.16(“y) —ƒ‚ðŽ‚Á‚½ƒP[ƒi
ŠâìŒõ (quena) SOLO
4.17(“ú) ƒ†ƒŠƒV[ƒY‚Ì—·‚Ì“r’†
‘¾“cœ¨Ž‘ (vln, voice), ”ª–Ø”ü’mˆË (\ŽµŒ·âµ, “ñ\ˆêŒ·âµ)
4.24(“ú) Ž„‚̓fƒ‰ƒVƒl2
ƒJƒ‹ƒƒ“Eƒ}ƒL (vo, ˜N“Ç), “à‹´˜a‹v (g)
4.30(“y) èȕ—@‚‚¿‚Ó‚é‚©‚º
—é–؍LŽu (sax), “Œ—Á‘¾ (sax), ã‰^“V~Žs (sax)


5ŒŽ
5.1(“ú) ‹g–ìOŽuƒvƒŒƒ[ƒ“ƒc
˜N“ǂƃWƒƒƒY‚̉º–kƒWƒƒƒ“ƒNƒVƒ‡ƒ“
ŽR“c‰r”ü (˜N“Ç), ‰œòŒõ (˜N“Ç, fl), Miya (fl), ‹g–ìOŽu (b), ¬ŽR²‘¾ (ds), ]š D (˜N“Ç)
5.8(“ú) ‘•cŒŽ‚Ì‹ó
Ö“¡ƒlƒR (vln), Žl‰Æ‰K‘å (cello)
5.15(“ú) ƒGƒŒƒLƒeƒ‹âµp
”ª–Ø”ü’mˆË (\ŽµŒ·âµ, “ñ\ˆêŒ¼âµ, ‰S) SOLO
5.21(“y) ƒhƒ[ƒCƒ“ƒO•‰f‘œƒ‰ƒCƒu
’†ŽRWŽq (alive painting), MIKA (p)
5.22(“ú) wÖ“¡ƒlƒREƒJƒ‹ƒeƒbƒgx
Ö“¡ƒlƒR (vln), ƒOƒŒ[ƒg‰h“c (vln), ŽR“c—YŽi (vla), “¡X—ºˆê (vc)
5.29(“ú) JEƒ_ƒEƒ‰ƒ“ƒh‚ÌŽü‚è‚Å
‚–{ˆê˜Y (luth), ‘¾“cœ¨Ž‘ (vln), ‚£–ƒ—¢Žq (‰Ì)


6ŒŽ
6.4(“y) wHerb Teax
•xŠ~t¶ (p), “c’†–M˜a (sax), ‰ª•”—mˆê (perc)
6.5(“ú) 䊎íEñ‚Ì–é
Žl‰Æ‰K‘å (cello), ‰ìŒhŠî (cello)
6.12(“ú) wUn Ange Passe ‚ ‚È‚ñ‚¶‚ã‚Ï‚·x
‚Ђ炽‚æ[‚± (p, vo), ¬•ôŒöŽq (acc, vo), ‹g—Ç’m•F (g, cho)
6.19(“ú) ŒŽ‚É‘p‰_‰Ô‚É—’
’葺Žj˜N (vln, effects), Ÿˆä—S“ñ (vln, effects), IZPON (perc, effects)
6.25(“y) wPLASMA PRISMAx
“V“c“§ (b-fl), ¡–xP—Y (g), ˆä–ìM‹` (b)
6.26(“ú) å¹å¥‚Ì›z‰»‚·‚é
NPO–@lŒ»‘ã˜N“Ç‹¦‰ï
–ìX‹{‰K–­ (Ž˜N“Ç), …é‚䂤 (p, Ž)


7ŒŽ
7.3(“ú) wƒN[ƒ‹EƒWƒ‡ƒWƒ‡x‚ÌŒ_‚è
O¨Œ›“ñ (p), ˆä–ìM‹` (b), “c’†“¿’ (ds)
7.9(“y) ¬‹‰ß‚¬‚Ä
‚¨‚¨‚½‚©Ã—¬ (‰Ì), Carl Stone (laptop), Pearl Alexander (b)
7.10(“ú) ó‘Žl–œ˜Zç“ú
‘åŒûƒˆê˜Y (p), ˆäã"JuJu"”Ž”V (sax, fl)
7.17(“y) ŽR–g„‚é–é
–I’J^‹I (vo, p), ‹g–ìOŽu (b)
7.24(“ú) wƒnƒiƒVƒKƒCxvol.38
‘¾“cœ¨Ž‘ (vln, voice), Ö“¡ƒlƒR (vln)
7.30(“y) wAvant-Premier@ƒAƒ”ƒ@ƒ“ƒvƒ‹ƒ~ƒGxi‰¼‘èj
—é–؍LŽu (sax), “Œ—Á‘¾ (sax), ã‰^“V~Žs(sax)
7.31(“ú) “y—p‚̉N‚͏I‚Á‚½
Jim O'Rourke (double-b), Î‹´‰pŽq (p, fl, vo), Joe Talia (ds)


8ŒŽ
8.7(“ú) –{“úA—§H‚È‚è
â“c–¾ (sax, cl), Jim O'Rourke (double-b), Î‹´‰pŽq (p, fl, vo)
8.14(“ú) –¾“ú‚Í”sí71”N–Ú
ŠD–ìŒh“ñ (g, vo, etc) Solo
8.20(“y) å‘åx‚̃uƒŠƒbƒW
ŽRèˆ¢–í (voice, etc), ’ØŒû¹‹± (p, effect)
8.21(“ú) ƒVƒƒƒRƒ“ƒk‚ðƒIƒŠƒGƒ“ƒ^[ƒŒ‚·‚é
‚–{ˆê˜Y (luth), ‘±–Ø—Í (harmonica)
8.27(“y) ]ŒËŽ‡‚͍¡Ž‡
HISASHI (vo), VàVŒ’ˆê˜Y (p)
8.28(“ú) ŒÃ‘㎇‚͉Ă̖¼Žc
Ö“¡ƒlƒR (vln), —ѐ³Ž÷ (p)


9ŒŽ
9.3(“y) E‹Æ‘å‹{ƒGƒŠ[ meets E‹Æâ“c–¾
‘å‹{ƒGƒŠ[ (˜N“Ç, vln, etc), â“c–¾ (sax, cl, ‰S)
9.10(“ú) ƒ`ƒFƒEƒgƒŠƒIŽQãI
‰ìŒhŠî (cello), Žl‰Æ‰K‘å (cello), ¯‰q (cello)
9.11(“ú) DuowPLASMA PRISMAx
“V“c“§ (b-fl), ¡–xP—Y (g)
9.14(…) ƒƒWƒƒ[Eƒ^[ƒi[EƒcƒA[2016
Roger Turner (ds, perc), ŠªãŒöˆê (voice, teremin, etc)
9.18(“ú) ‹‘Ò‚¿ŒŽ
—щhˆê (as), •ÐŽRL–¾ (ts)
9.24(“y) H•ª‰ß‚¬‚Ä
—é–؈Ÿ‹I (vo, p), Œü“‡‚ä‚èŽq (vln, viola)
9.25(“ú) ”ÞŠÝ–¾‚¯
–I’J^‹I (vo, voice, p), ’Ï㌤‘¾ (as), ˆÉ’n’m‘å•ã (b)


10ŒŽ
10.2(“ú) V2ƒTƒ~ƒbƒg
‘¾“cœ¨Ž‘ (vln, voice), Ÿˆä—S“ñ (vln, effects)
10.9(“ú) w‚Ö‚¿‚܁x‚É‚ÍŠª‚«‚Ђ°‚ª‚ ‚é
’|àV‰xŽq (âµ, ’n‰S, ŽO–¡ü), Š}¼‘×—m (oboe, etc), ‹gŒ©ªŽ÷ (tabla)
10.15(“y) wG.G.Allstarsx
Î“n–¾œA (g), ¡–xP—Y (g)
10.16(“ú) “d‹CŽdŠ|‚¯‚Ì‚±‚Æ‚ÌŽŸ‘æ
”ª–Ø”ü’mˆË (\ŽµŒ¼âµ, “ñ\ˆêŒ¼âµ) ƒ\ƒ
10.23(“ú) wHerb-Teax
•xŠ~t¶ (p), “c’†–M˜a (sax), ‰ª•”—mˆê (perc)
10.30(“ú) ‹g–ìOŽuƒvƒŒƒ[ƒ“ƒc
˜N“ǂƃWƒƒƒY‚̉º–kƒWƒƒƒ“ƒNƒVƒ‡ƒ“
ŽR“c‰r”ü (˜N“Ç), ‰œòŒõ (fl, ˜N“Ç), ‘¾“cœ¨Ž‘ (vln), ‹g–ìOŽu (b), ¬ŽR²‘¾ (ds)


11ŒŽ
11.5(“y)

–Ø“p‚̉HŠp
œA–ØŒõˆê (g) SOLO

11.13(“ú) Breath Passage 2016
›I‘×à… (as), ƒWƒ€EƒIƒ‹[ƒN (g)
11.26(“y) ŒÍ‚ê—tF‚Ì–ðŽÒF
Ž›“c’¬ (vo, g), ˆé•”•‘Žq (vln)
11.27(“ú) wƒ^ƒ}ƒvƒ^‚³‚çE‚ЂçE‚Û‚¨‚ëx
‹Ê’ˏ[ (dance), ŽRì‰p‹B (vo), ‰iàVN‘¾ (Ž˜N“Ç), ‘¥‰ª“O (p)


12ŒŽ
12.3(“y) g‚«ã‚³‚¦‚ ‚ê‚Î
Hisashi (vo), ’JìŒ«ì (p)
12.4(“ú) “VŽg‚Ì•ª‚¯‘O‚ð
‚–{ˆê˜Y (luth),, ‰zì•à (vln), ‚£gMakoringh–ƒ—¢Žq (‰Ì)
12.11(“ú) Ž†—‚Ì‹Gß
“c’†’qŽq (vo), Î“cŠ²—Y (p)
12.17(“y) wAvant-Premiere/ƒAƒ”ƒ@ƒ“ƒvƒ‹ƒ~ƒGxi‰¼j
—é–؍LŽu (sax), “Œ—Á‘¾ (sax), ã‰^“V~Žs (sax)
12.18(“ú) ƒfƒ‰ƒVƒl‚Ì”‘‚Ü‚èê
ƒJƒ‹ƒƒ“Eƒ}ƒL (‰Ì, ˜N“Ç), ‘¾“cœ¨Ž‘ (vln), ²–ì“Ä (b)
12.25(“ú) wƒiƒzEƒJƒ‹ƒeƒbƒgx
ŽÄ“c“Þ•ä (vln), ˆ¢•””ü (vln), “c’†ŒiŽq (vla), •½ŽRDŠG (vc)
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