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2018”N
1ŒŽ, 2ŒŽ, 3ŒŽ, 4ŒŽ, 5ŒŽ, 6ŒŽ, 7ŒŽ, 8ŒŽ, 9ŒŽ, 10ŒŽ, 11ŒŽ, 12ŒŽ


1ŒŽ
1. 7(“ú) Žµ‘Žµ“úŠŸ
”‹´•¶•v (p), ‘¾“cœ¨Ž‘ (vln, voice)
1. 14(“ú) œú”N‚Ì‹¾ŽO“úŒŽ
â“c–¾ (sax, cl), ”ª–Ø”ü’mˆË (“ñ\ˆêŒ¼âµ, \ŽµŒ¼âµ, ‰S), ’†ŽRWŽq (alive-painting)
1.20(“y) ¡—lV¢‹I‰¹ŠyŒ¤‹†Š
ŽRè”ä˜CŽu (ds, perc), Raymond McMorrin (ts)
1.21(“ú) wAvant-Premierexi‰¼j
—é–؍LŽu (sax), “Œ—Á‘¾ (sax), ã‰^“V~Žs (sax)
1. 27(“y) w‚Ö‚¿‚܁x‚ÌãNãa”V˜H
’|àV‰xŽq (âµ, ’n‰S, ŽO–¡ü), Š}¼‘×—m (oboe, etc), ‹gŒ©ªŽ÷ (tabla)
1.28(“ú) ¡‚͉ăuƒ‰ƒWƒ‹‚Ì”M‚ƐÃ
œA–ØŒõˆê (g), ”Ñ“c‰ët (b)


2ŒŽ
2.3(“y) •Aˆñ‹S‚Í“à
Â—tŽsŽq (vo, g), “à‹´˜a‹v (g, daxophone)
2.4(“ú) —§t‚Ì•—
‚–{ˆê˜Y (luth), Îˆä’q‘å (vln), ‹g–ìOŽu (b)
2.11(“ú) “€‚Ý“¤•…w–{’©HŠÓx
•“c‹žŽq (p), Šì‘½’¼‹B (vln)
2.18(“ú) ƒ`ƒFƒEƒgƒŠƒIŽQãI
‰ìŒhŠî (cello), Žl‰Æ‰K‘å (cello), ¯‰q (cello)
2.24(“y) ‰àtŒiFÊ‚é
‘¾“cœ¨Ž‘ (vln, voice), ”ª–Ø”ü’mˆË (ƒGƒŒƒNƒgƒ“ñ\ˆêŒ¼âµ, \”ªŒ¼âµ, ‰S)
2.25(“ú) ƒvƒŒƒCƒYEƒWƒ‡ƒ“Eƒ_ƒEƒ‰ƒ“ƒh
‚–{ˆê˜Y (luth), —é–؍LŽu (sax), “Œ—Á‘¾ (sax)


3ŒŽ
3.3(“y) w8rue Mullerx‚Ɖº–k‘ò‚̘H’n
Reina (vo, vln, p), “cƒm‰ªŽO˜Y (acco)
3.4(“ú) “Æ‚ètˆê”Ô
ŽR–{’B‹vids, perc, electronicsj ƒ\ƒ
3.11(“ú) C“ñ‰ï
—щhˆê (sax) ƒ\ƒ
3.17(“y) wƒnƒiƒVƒKƒCxVol.41
‘¾“cœ¨Ž‘ (vln), Ö“¡ƒlƒR (vln)
3.18(“ú) ”ÞŠÝ“ü‚è
•{”n˜a‰ÌŽq (vo), ‚–؏ˆê (g)
3.25(“ú) Ÿ¸žÏ¼•—
œA–ØŒõˆê (g), —L–¾‚Ì‚ÔŽq (vibe)


4ŒŽ
4.1(“ú) ‘O‰q‰¹Šy‚ÌŒ»ÝŒ`
’†‘º–¾ˆê (ŽÚ”ª), ’†ìr˜Y (p), ‰º’¬ŒZ’í (ƒWƒƒƒ“ƒx, ƒ‰ƒbƒv)
4.8(“ú) “Vã“V‰º—B‰ä“Æ‘¸‚ÌŠ©‚ß
¬Žº“™ (‰Ì, g), ‘¾“cœ¨Ž‘ (vln, voice)
4.21(“y) wUn Ange Passe@‚ ‚È‚ñ‚¶‚ã‚Ï‚·x
‚Ђ炽‚æ[‚± (vo, p, key), ¬•ôŒöŽq (vo, acco), –î–쐽 (p, key, cho)
4.22(“ú) ‹g–ìOŽuƒvƒŒƒ[ƒ“ƒc
˜N“ǂƃWƒƒƒY‚̉º–kƒWƒƒƒ“ƒNƒVƒ‡ƒ“
ŽR“c‰r”ü (˜N“Ç), ‰œòŒõ (fl, ˜N“Ç), ’ÉÎR½ (p), ‹g–ìOŽu (b), ¬ŽR²‘¾ (ds)bƒQƒXƒgEŽÄè—F (˜N“Ç)
4.29(“ú) ˜E”jE‹}
Î‹´‰pŽq (vo, p), ŽR–{’B‹v (ds, perc)
4.30(ŒŽEj) wMASARAx
‚–؏ˆê (g), ‘¾“cœ¨Ž‘ (vln, voice), ‹gŒ©ªŽ÷ (tabla)


5ŒŽ
5.4(‹àEj) —§‰Ä‘O‚Í‚Ý‚Ç‚è‚Ì“ú
”ª–Ø”ü’mˆË (electric21Œ¼âµ, ‰S ), “c’†“¿’ (ds)
5.12(“y) wAvant-Premiere ƒAƒ”ƒ@ƒ“ƒvƒ‹ƒ~ƒGx
—é–؍LŽu (sax), “Œ—Á‘¾ (sax), ã‰^“V~Žs(sax)
5.13(“ú) ’·ŽõƒAƒjƒu‰Ä–Ú—Fl’ v‚̉
ŽÄ“c“Þ•ä (vln), ‹gXM (p), ˆÉ“¡”ü‹I (˜N“Ç)
5.19(“y) ‹g–ìOŽu presents
’ÉÎR½ (p), Îˆä’q‘å (vln), ‹g–ìOŽu (b)
5.20(“ú) ¶‚«‚Ä‚¢‚é‚©‚¬‚èAŒõ‚Í‚ ‚é
Ž›“c’¬ (vo, g), ”‹´•¶•v (p), £”ö‚Žu (b)
5.27(“ú) g‰Ôç”žHŽŠ
”~’ØaŽž (sax, cl), ²–ì“Ä (b, g, djembe, vo)


6ŒŽ
6.3(“ú) 䊎í(‚Ú‚¤‚µ‚ã)‚Ì‹Gß
HISASHI (vo), ’JìŒ«ì (p)
6.10(“ú) ƒ{ƒXƒ|ƒ‰ƒX‚Ì’n‰º…–¬
Selen Gulun (vo, p), Christopher HARDY (perc)
6.16(“y) ŽO“úŒŽ‚Ì–é‚̃Œƒrƒ…[
’‡“à‘ñ– (g) SOLO
6.17(“ú) ƒWƒvƒV[‚Ì‚Æ‚«
•{”n˜a‰ÌŽq (vo), ‚–؏ˆê (g)
6.24(“ú) “n—ǐ£ì‚͍¡“ú‚à—¬‚ê‚é
”‹´•¶•v (p), ‘¾“cœ¨Ž‘ (vln)
6.30(“y) ‰Ä‰z‚Ì‘åâP
“c’†’qŽq (vo, p), ŽRŒûƒR[ƒCƒ` (p)


7ŒŽ
7.1(“ú) wƒnƒiƒVƒKƒCxVol.42
‘¾“cœ¨Ž‘(vln, voice), Ö“¡ƒlƒR(vln)
7.7(“y) ’†¢‚ɈꌣI
‚–{ˆê˜Y(luth), “Œ—Á‘¾(sax)
7.8(“ú) ¬‹‚̃}ƒWƒKƒ`
”‹´•¶•v(p), —މƐS•½(tp)
7.15(“ú) ‚¨’†Œ³
œA–ØŒõˆê(g), —Ž‡N‰î(b)
7.22(“ú) ‘友‚̃GƒŒƒNƒgƒEƒAƒN[ƒXƒeƒBƒbƒN
”g‘½–ì“ÖŽq(vln), Joe Talia(bass ds), ŽR–{’B‹v(perc)
7.29(“ú) ŠFŠùŒŽHŒã‚ÌŒŽ
–I’J^‹I(vo, p), ’Ï㌤‘¾(sax), ‹g–ìOŽu(b)


8ŒŽ
8.4(“y) –A–—‚¤‚½‚©‚½‚̉Ä
â“c–¾ (sax, cl), ”ª–Ø”ü’mˆË (21Œ¼electricâµ, ‰S)
8.5(“ú) —§H‘O‚Ì•—
—щhˆê (as), •ÐŽRL–¾ (ts), Î“n–¾œA (g)
8.12(“ú) Žµ\ŽO“x–ڂ̉Ä
ð“c•ä (Ž˜N“Ç), ‘¾“cœ¨Ž‘ (vln, voice)bƒQƒXƒg:ƒJƒ‹ƒƒ“Eƒ}ƒL (Ž˜N“Ç, vo)
8.18(“y) ŒÃ‘ã‰ÎÕ‚è‚Ì“`³
Š}¼‘×—m(oboe, zurna, etc), ŠâìŒõ(quena, etc)
8.19(“ú) JEƒ_ƒEƒ‰ƒ“ƒh‚̍~—Õ
‚–{ˆê˜Y (luth), ‘¾“cœ¨Ž‘ (vln, voice)
8.26(“ú) wƒgƒƒgƒƒgx
ŽÄ“c“Þ•ä (vln), ŒFâƒ‹ƒcŽq (accod)


9ŒŽ
9.2(“ú) uMiningvƒXƒsƒ“ƒIƒt
Î‹´‰pŽq (p, fl), Riki Hidaka (g), ŽR–{’B‹v (ds)
9.9(“ú) wAvant-Premierxvol.24
—é–؍LŽu (sax), “Œ—Á‘¾ (sax), ã‰^“V~Žs (sax)
9.22(“y) V•ˆ”­”„‹L”OI
wAguas De Maio ŒÜŒŽ‚̉Jx
œA–ØŒõˆê (g), a’J‹B (p)
9.23(“ú) u8rue Mullerv‚ƃVƒ‚ƒLƒ^‚ðŒq‚®˜H’n
Reina (vo, vln, p), “cƒm‰ªŽO˜Y (accod)
9.29(“y) wƒfƒ‰ƒVƒlx‚ÌŠX
ƒJƒ‹ƒƒ“Eƒ}ƒL (vo, ˜N“Ç), “à‹´˜a‹v (g, daxophone)
9.30(“ú) ‹g–ìOŽuƒvƒŒƒ[ƒ“ƒcvol.14
˜N“ǂƃWƒƒƒY‚̉º–kƒWƒƒƒ“ƒNƒVƒ‡ƒ“
ŽR“c‰r”ü (˜N“Ç), ‰œòŒõ (fl, ˜N“Ç), ’ÉÎR½ (p), ‹g–ìOŽu (b), ¬ŽR²‘¾ (ds)bƒQƒXƒgF‘º“c¹–덁 (˜N“Ç)


10ŒŽ
10.6(“y) ‹¾ŽO“úŒŽ‚Ì–é
—щhˆê (as) SOLO
10.14(“ú) ‹e‰ÔŠJ‚­
Ö“¡ƒlƒR (vln), —ѐ³Ž÷ (p)
10.20(“y) å§å©ÝŒË ‚µ‚‚»‚±‚É‚ ‚è
‘¾“cœ¨Ž‘ (vln, voice), ”ª–Ø”ü’mˆË (21Œ¼electricâµ)
10.21(“ú) Œã‚ÌŒŽ
Šì‘½’¼‹B (vln, p), ŒÜ\—’‚ ‚³‚© (cello)
10.27(“y) _–³ŒŽˆÙ•Ï
•xŠ~t¶ (p), “c’†–M˜a (sax), ‹gŒ©ªŽ÷ (tabla)
10.28(“ú) “Œ•û‚̃VƒƒƒRƒ“ƒk
‚–{ˆê˜Y (luth), “Œ—Á‘¾ (sax)


11ŒŽ
11.4(“ú)

”ăXƒ‰ƒu‚Ì‹ó‚̉º
ŽÄ“c“Þ•ä (vln), ‘åŒFƒƒ^ƒ‹ (cl, etc), ÷ˆä–FŽ÷ (g)

11.10(“y) ƒ`ƒFƒ~ƒ`ƒFƒ~ƒ`ƒFƒ
‰ìŒhŠî (cello), Žl‰Æ‰K‘å (cello), ¯‰q (cello)
11.11(“ú) ŽO“úŒŽ‚ð‰é”û‚Æ‚àŒ¾‚¤
ƒiƒXƒmƒ~ƒcƒ‹ (b), ŽR–{’B‹v (ds)
11.18(“ú) ‘æ43‰ñwƒnƒiƒVƒKƒCx
‘¾“cœ¨Ž‘ (vln, voice), Ö“¡ƒlƒR (vln)
11.24(“y) ª[”K–”‚ÍŽO“x‚Ì–„‘’
–I’J^‹I (vo, voice, p), ’Ï㌤‘¾ (as), ‹g–ìOŽu (b)
11.25(“ú) ŽO‚Ì“Ñ‚Ì–é
‚–؏ˆê (g), ‰FìÊŽq (tap-dance)


12ŒŽ
12.2(“ú) Violin Violin ViolinI
‘¾“cœ¨Ž‘ (vln, voice), ’葺Žj˜N (vln), Ÿˆä—S“ñ (vln)
12.8(“y) w‹A‚è—ˆ‚ʐtx
“‡–{Œc (vo, harmonica), •Ä“àŽR®l (g), ƒƒPƒbƒgEƒ}ƒc from ƒpƒXƒJƒ‹ƒY (acco)
12.9(“ú) “Œ•û‚̃VƒƒƒRƒ“ƒk
‚–{ˆê˜Y (luth), ‘¾“cœ¨Ž‘ (vln, voice), “Œ—Á‘¾ (sax)
12.15(“y) ”NŒÀ‚̏㌷
HISASHI (vo), ’JìŒ«ì (p), —é–؍LŽu (sax)
12.16(“ú) ‚¯‚‚¬‚åŒQ‚ª‚é
â“c–¾ (as, cl), ”ª–Ø”ü’mˆË (21Œ¼electricâµ)
12.24(ŒŽEj) ”º“V˜A‚Ì–é
‘¾“cœ¨Ž‘ (vln, voice), â–{O“¹ (cello, music saw)
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